Painting, making knitwear, like cooking is an art, when you mix the ingredients it’s like mixing the colors on a palette, ultramarine blue with white Cerussa and next to it you put Naples yellow and umber.
In the lab you usually work like this.
For this, when I had time, I drew scenes of catastrophes, took the perspectives and undid them, copied the structures of a building but put down the pompousness, cleaved the dome, broke the columns, Casurae urbes stant, cities are standing, destinated to fall.
Misunderstanding painting and comparing with our work, we feel enrolled among the forerunners of surrealism handcrafts, considering exponents in the magic art of alchemy of transforming cashmere.
The amazing creations are pervaded by dreamlike atmospheres and visionary, populated of quirky mythological contraptions, positioned between great ruined architectures.
Comes out largely and admittedly ‘’FUNNY’’ as to ascertainable of matching with the initial material, but richly revealing of environments, thoughts and feelings of a decisive period for a new definition of horizons of modernity.